Sunday, November 30, 2025

Cultural Study of Romania

After studying Romania's history it occurred to me that the majority of their history was more-or-less occupied by foreign nations. Romans, Byzantines, Bulgarians, Ottomans, Hungarians, and the Austrian Habsburgs. Hardly were they in charge of their own destiny without some form of foreign influence. So it's fair to say that much of their history and culture is a byproduct of those other nations. However quite often when an empire becomes vast, new sub-cultures emerge within the primary culture. It's not so much about the governing authority, rather the geographical region and it's local history that establishes a culture. Think of how different Los Angeles is from Texas, Minnesota, or New York City, even though they are all members of the same national culture. 

This is certainty the case for Romania located on the far southeastern pocket of Europe along the Black Sea. The nation is defined not by it's foreign influence but more so it's geographical identity; the impenetrable Carpathian Mountains. And while these foreign powers came and went, the native Romanians (such as the Dacians, Maygars, and Avars) endures up in these mountains. Throughout history these various foreign nations integrated with the local natives to create something uniquely Romanian. While it's still considered a fairly new nation, it has ancient roots within it's land that defined it's current culture.

As I mentioned in my previous post, this random fascination with Romania comes from the books Dracula and The Historian. To be fair though I have always admired European history as a whole. I probably first began with a fascination of Western Europe, but the past few years I have been quite pulled to Central and Eastern Europe. With academic studies on Russia, Germany, Czech, Austria, and the Baltics. There's still so many more regions in Europe I need to study some day, but for now it's Romania's turn. I must confess the only Romanians things that come to mind are Vlad the Impaler, Dracula, and the Romani people (also known as gypsies). I can't really think of any Romanian cuisines, writers, musicians, or great athletes. So this will be a learning experience for me, and I know it will not disappoint as I am already very inspired by their history, architecture, and folklore.   

Geography

So the story of every culture and civilization always begins with the geographical location. It's the distinctive features of the land, the climate, and the resources that help establish a people's identity. The land of Romania is defined by the Carpathian mountains that have protected them throughout history. This horseshoe mountain range, creates a valley a the center of Romania, which was once known as Transylvania. It is here that many native tribes survived foreign influence, and developed some of Romania's earliest known traditions. The iconic Danube river runs at it's Southern border dividing it from Bulgaria. The Black Sea sits at it's eastern coast like a gateway into the Middle East. 

Ethnicity

What makes Romania so unique is it's ethnic diversity, a product of cultural integration that occurred as far back as the Roman Empire. It's location on the eastern border of Europe has made it buffer zone for the West and the East. So it has Western European ethnicities while also Asian ethnicities. It's early western identity is mostly derived from Italy, France, Spain, Portugal, and the Balkans. Their is also some identity that comes from the Slavs during migrations from Poland in the 500-800s. Although not as much compared to the rest of Eastern Europe. The Magyar Hungarians also made a big chunk of their ethnicity in the 800-900s.

Romania also has a deep middle-eastern/Asian identity beginning with the Avars from Turkey and Iran. Then the heavy influence of the Ottomans during the Middle Ages.  And of course there's the iconic Romani gypsies who migrated from northern India, into Persia, and arrived to the Balkans by the 1300s. The majority of this nomadic people eventually settled in Bulgaria, Macedonia, Hungary, Slovakia, and Romania. Today they make up 3% of Romania's ethnic minorities. It's quite coincidental that the term Romani sounds like Romania, but they are actually quite different. The term "Romani" means people in the Indian language, while the term "Romania" is Latin and refers to the nation's cultural ancestors of the Romans. The common language today of Romania is a distinctive form of Vulgar Latin.   

Folklore

For me the most curious aspect of Romania's culture is their folklore, much thanks to Bram Stoker. It's quite interesting that he never set foot in Romania before writing Dracula, however he seemed well versed in the folklore of Transylvania. This famous reference to vampires is of course a mythological species, but it is very much rooted in Romanian folklore as far back as the 1300s. It is unique practice that developed there during the Middle Ages, which was ultimately a superstition of the undead. This ritualistic belief was most common among rural Romanians and gypsies. It of course led to the many written narratives and legends about this belief in the undead (nosferatu), spirits (known as Strigoi), and most famously the vampire.

Romanian folklore also dives into other magical elements made famous by Ion Creanga's Povesti stories. Such as the Zane and Iele fairies, the spiritual forest mother known as Muma Padurii, Solomonari the heroic Fat-Frumos, the princess Ileana Cosanzeana, wizards, dragons, and so forth. They also have unique seasonal traditions such as the Colinda Christmas carol, the Martisor tradition (wearing a brooch during the New Moon of Spring), and the Paparuda rain dance during the summertime. Grim rituals include the use of garlic, holy water, and charms to protect from evil spirits. Celebratory rituals include jumping over a broom for weddings, the midsummer fairy festival of Sanziene, and other crafts that feature magical elements. It's no question their cultural folklore is very much rooted in the mystical. 

Literature

One of the most famous Romanian writers is the poet Mihai Eminescu (1850-1889), considered the national poet of Romania. He worked as a journalist and wrote many famous works of poetry such as the Luceafarul (The Evening Star) and the Scrisoaerae (Letter 3). Ion Creanga (1837-1889) was another significant writers that contributed to Romanian cultural identity. He was most famously for his humorous folktales such as Memories of my Childhood and the Povesti folk-stories. Ion Luca Caragiale (1852-1912) was Romania's most celebrated playwrights renown for his local humor. These three writers made up the influential literary society known as the Junimea which helped establish Romanian culture during the late 1800s to early 1900s. The group was founded by the literary critic, Titu Maiorescu. 

Other famous writers include

  • Mircea Eliade (1907-1986)- Philosopher, historian, fiction writer, and professor
  • C.A Rosetti (1816-1885)- Journalist, Politician
  • Peter Ispirescu (1830-1887)- Folklorist, wrtier
  • Liviu Rebreanu (1885-1944)- Novelist, realist
  • Marin Preda (1922-1980)- Novelist, social-realism
  • Ion Heliade Radulescu (1802-1872)- Poet, essayist, journalist

Music

The traditional core of Romanian music is derived from Hungarian and Balkan influence. It's folk
music puts an emphasis on the violin as the driving force of the melody. The Taraf band is a popular format in Wallachia usually of string instruments, flutes, tambourines, accordions, and bagpipes. The Doina is a middle-eastern Romanian tradition popular among the peasants known for it's slow melodies of ballads, lamentation, or melancholic music (somewhat like the Blues). The most famous Roman classical composer is George Enescu (1881-1955) while their most famous opera singer is Angela Gheorghiu (1965-present). Maria Tanase was a popular singer of the 1940s-1950s considered as the Edith Piaf of Romania. 

Other famous musicians include

  • Gheorghe Zamfir (1941-present)- pan flute composer
  • Dinu Lipatti (1917-1950)- pianist, composer
  • Ciprian Porumbescu (1853-1883)- composer

Architecture

  • Peles Castle (1873-1914)- Gothic castle of King Carol I in Sinaia
  • Bran Castle (1377) Iconic medieval fortress in Transylvania that inspired the Dracula story
  • Corvin Castle (1446-1480)- Gothic Renaissance castle in Huneadora built for the Hungarian regent John Hunyadi. It is one of Europe's largest medieval castles. 
  • Voronet Monastery (1488)- Orthodox church famous for it's color exterior and interior blue frescoes
  • Curtea de Arges Cathedral (1512-1517)- Byzantine cathedral in Curtea de Arges that houses many Romanian royal tombs
  • Sucevita Monastery (1581-1601)- Orthodox fortified monastery. Once again it has unique colorful frescoes on it's exterior.
  • Maramues Wooden Churches (1600-1700s) Wooden churches with high spires, that look like eerie witch temples.
  • Anghel Saligny Bridge (1890-1895) Once referred to as the King Carol bridge it went across the Danube River and once was the longest bridge in Europe 
  • Romanian Athenaeum (1886-1888) Neo-classical concert hall. One of the most iconic buildings in Bucharest.
  • Dacian Fortress (80 BC)- Ancient ruins of the Dacian 

Sports

The first name that comes to mind in Romanian sports is their greatest Olympian of all time, the gymnast Nadia Comaneci. She famously achieved the first ever perfect 10 at the 1976 Montreal Olympics during her uneven bars routine. She went on to win 9 Olympic medals at the 1976 and 1980 Olympics (5 of which were gold medals). The Romanian women's team gymnastics is the 2nd most successful in Olympic history with 6 team gold medals (behind Russia's 9 medals). They also have a strong history in Rowing and Canoeing ,where Elisabeth Lipa is their most decorated Olympian with 10 rowing medals over 6 Olympic games from 1984-2004.

It's no surprise that soccer is the most popular sport in Romania, however they have never gone too deep in the tournament. The furthest they have gone was the quarterfinals at the 1994 World Cup (after famously defeating the mighty Argentina that year). They've only once made the quarterfinals in the Euro Cup in 2000. Their most famous soccer player is Gheorghe Hagi, known as the Maradona of the Carpathians, who led Romania far in 1994. They've also had a standout tennis performer the last ten years in Simona Halep who won the French Open in 2018 and Wimbeldon in 2019.  

Cuisine

I've never had any Romanian cuisine and wouldn't even know where to begin. It's of course influenced by the integration of Balkan, Ottoman, Hungarian, and Slavic traditions. It should come as no surprise that many of their dishes are heavy with the garlic (as well as cabbage, onions, and sour cream). Some of their most famous dishes include the Sarmale (cabbage, pork, rice, and spices), the Mamaliga (cornmeal porridge with cheese), the Ciorba (sour soups of meet, veggies, and fermented wheat), mititei (skinless sausages), Tocanita (hearty stews of meat and veggies). Their traditional desserts include cozonac (sweet bread with nuts, cocoa, and cream filling), papanasi (fried cheese donuts), and placinta (pastry pies with filling). Some of their most famous drinks include the Tuica and palinca (fruit brandy), various wines, and the beer brands of Timisoreana and Ciucas. 

Saturday, November 29, 2025

Historical Study of Romania

For me Central Europe has always been shrouded in mystery, never quite as impactful as the western powers or Russia on the east.  But they still hold a significantly rich culture and history that has captured my interest the past few years. I've written before on the history of Czech Republic and Austria prior to my visit there in 2022. In 2023 I was in a WWI phase and made a deep dive on the Balkan region (see Balkan History). And just a few months ago I made a deep dive on the eastern front of WWII (which covered the majority of the war's death toll). But I was especially curious on the ethnicities of this region that were persecuted by the Nazis, primarily the Slavs and the Romani people (often referred to as Gypsies). 

So my big question was who exactly are the Slavs? The Slavic region spans east of Germany and west of Russia (consisting of Poland, Czechia, Slovakia, Ukraine, and Belarus in the north; while the Baltic states in the south). They were primarily barbarians from Russian lands that began to occupy this territory in the 5th century after the fall of the Roman Empire. However quite oddly they did not inhabit the lands of Hungary, Romania, and Moldova (almost as if avoiding a cursed land). This was mostly due to geographical reasons, such as the Danube River and the mighty Carpathian Mountains that somewhat protected Hungary and Romania from occupancy. 

So who did inhabit this Carpathain-Danubian, "non-Slavic region" after the fall of Rome? It's actually a mixture of ethnicities which adds to the intrigue of Hungary and Romania. At the core of Transylvania was the kingdom of Dacia that was captured by the Romans in 106 AD. This region evolved into a Daco-Roman people (even after the fall of Rome). They were later joined by the Avars in the 5th century, a nomadic warrior tribe from the Pontiac-Caspian steppe (Russia/Kazakhstan). The Avars were a mighty people that were able to repel Slav expansion into Romania and Hungary. Meanwhile the Daco-Roman's existed independently deep in the Carpathian mountains of Romania.

So this now brings me from the Slavs to the Romanian people. Perhaps some other time soon, I might dive into Hungarian culture/history which I find to be somewhat similar to Romania. But to be completely transparent this fascination into Romania didn't so much stem from my WWII eastern phase. It's rather the byproduct of the vampire folklore brought on from Vlad the Impaler and Dracula. This is without question Romania's true claim to cultural fame, and in reading Bram Stoker's Dracula and Elizabeth Kosova's The Historian, I need to better understand the full history of Romana (aka Transylvania). 

The Dacians

Also known as the Getae, the Dacians were the ancient inhabitants of Romania prior to the rise of the Roman Empire. They were descendants of Thracians, from Greece and Bulgaria who began to establish tribes within the Carpathian Mountains (which would become the heartland of Transylvania). They were known as a fierce people, warriors who used the mountainsides to their tactical advantage. By around 82 BC the various Dacian states were unified into one centralized kingdom by Burebista. The Kingdom of Dacia stretched from the Black Sea into the Balkan Mountains and as far east as Bohemia (southern Germany and Czech Republic). This was rather short-lived however due to Roman conquest from 101-106 AD. 

The Roman Emperor Trajan achieved final victory over King Decebalus at the Battle of Sarmizegetusa. While the Romans began to establish their provincial laws they also admired the Dacian's fierceness and adopted some of their own customs. This led to a slow fusion of cultures between Romans and Dacians that eventually became the main ethnicity of Romania. By around 271 AD as the Roman Empire began to crumble, the Roman government completely abandoned it's post in Dacia. A new society of Daco-Roman people stayed in the Transylvania region to govern themselves and resist foreign expansion.

Despite threats from barbarian tribes such as the Goths and Carpi the Daco-Roman people were able to maintain their region in the mountains. They continued to practice a Roman/Latin structure whilst establishing their own cultural identity. This was no longer a government rather a tribe of rural warriors, defending their mountaintops. The region was later shared with other various tribes of Goths, Capri, and Huns. During Constantine's reign he was able to swallow up a good portion of Romania along the Danube River, which became a part of the Byzantine Empire. However he was unable to lay claim to the Daco-Roman pocket in the mountains.

The Avars and the Bulgarian Empire

The region of Romania was mostly controlled by the Byzantine Empire with barbarian pockets on the eastern front (primarily the Huns). The Huns began their conquest of western Romania in 370AD and eventually were driven out by 454 AD after the death of Attila. This gave way for a new rising force in the Caucasus, known as the Avars. They migrated from Kazakhstan and eventually established a stronghold in Hungary which covered a good portion of Romania. By 560AD, the Avar Khaganate spanned from Ukraine to Bohemia (covering most of Hungary and Romania). They had multiple wars with the Byzantine Empire in the south, seeking to control the Balkan territory. The Azar-Byzantine wars of 586-626 ultimately weakened both sides, and allowed the Slavs to inhabit this southern region of Europe.

By around 681 the Bulgarian Empire was established by Khan Asparukh who swallowed up a big region of Romania in Southern Wallachia (south of the Capathian mountains), Moldova, and Dobruja (the eastern coast along the Black Sea). Despite many clashes with the Bulgarians, the Avers were able to sustain their territory in Transylvania. That is until the Frankish campaigns of Charlemagne begun in 788-803 AD. The Avars soon found themselves pinched on a two-front war between the Frankish Lombards and the Bulgarians which caused them to capitulate. Yet strangely enough neither side properly laid claim to the mountains region of Transylvania and it was rather inhabited by a new tribe from Hungary known as the Magyars. 

Magyars and the Hungarian Kingdom

Throughout the 800-900s the Magyars continued their expansion from Hungary into the Carpathian Basin of Romania. By this time the Daco-Romans had evolved into the people known as the Vlachs. There were also various Turkish nomads such as the Pechenegs, Cumans, and Uzes that were inhabiting the region of Romania. Alongside pockets of Slavs. These were to be the early founding peoples of Romania, amisdt the shadow of influence from the Bulgarian Empire. Under Simeon the Great, Bulgaria had reached it's zenith and was continuously fighting for territory against the Byzantine Empire. 

In the year 1000 AD Stephen of Hungary transforms the Magyar people into the first Hungarian Kingdom. It is a western influence Christian kingdom that consolidates it's control over Transylvania. The kings that follow Stephen, continue to further expand their territory throughout Romania. Meanwhile by around 1018, the Byzantines finally deliver a crushing blow to the Bulgarian Empire. In 1185 they are able to establish a Second Bulgarian Empire and endure in the Balkans for a while longer, however never challenging Transylvania. During this time much of western Europe such as England, the Holy Roman Empire, and France were consumed with the Crusades.  

By the 1200s the Byzantine Empire begins to lose sway of the Balkan territory. This allows for a new military power to invade from the eastern lands of Mongolia. Under their leader Batu Khan the Mongols destroy many settlements throughout the Carpathian region of Hungary, Romania, and Moldova. The Kingdom of Hungary is severely weakened by the invasion but the Vlach communities are able to endure in their mountaintops. Within a year, the Mongols were pushed back to their Golden Horde territory in Russia. Despite the heavy loss and devastation both the Hungarian Kingdom and Bulgarian Kingdom were able to quickly rebuild. 

Wallachia, Moldova, and Transylvania

By 1310 the southern region of Romania under the leadership of Basarab I established an independent nation known as Wallachia. This was essentially a Vlach community that sought to govern itself, free from Hungarian influence. Basarab I decisively defeated the Hungarian army at the Battle of Posada in 1330 to secure this new Wallachia region. The region of Moldova followed suit shortly after when the Hungarian noble Dragos began to coordinate a Vlach defiance against Hungarian control from 1345-1359. Dragos essentially laid the groundwork for Bogdan I to complete the defiance and declare an independent Moldavia in 1359. After many skirmishes and and sieges throughout the Carpathian mountains the Kingdom of Hungary was finally forced to recognize Moldovia's independence.

By the late 14th century, the Ottoman Empire becomes the new rising power in the middle east. They are able to defeat the Second Bulgarian Empire and swallow up territory in the Balkans. In 1453 they achieve their monumental victory at Constantinople which marks an abrupt end to the Byzantine Empire. And yet again, just as with the Slavs, and the Franks, this new military power chose not to occupy the Carpathian mountains of Wallachia, Moldova, and Transylvania. Instead they established political tribute arrangements so they maintained their independence while still honoring Ottoman influence. During this time waves of gypsies began to migrate from India and the Balkans into modern day Hungary and Romania. They brought unique customs, crafts, and folklore that was later adopted into Romanian culture. (I'd like to someday make a deeper dive into this group of people). 

The central Romanian region of Transylvania however did not achieve independence (like Moldova and Wallachia) and still remained a vassal of the Hungarian kingdom. The Hungarian kings saw this mountainous territory as a crucial stronghold in their ongoing battle against the Ottoman Empire. Therefore Transylvania was the fierce pocket of Hungarian resistance that did not offer any tributes to the Ottomans. It was most famously defended by Vlad III the Impaler, a Wallachian prince who later inspired the great tale of Dracula. (I will later make a deeper dive on him as he is without question one of the most iconic Romanian historical figures). 

During this time, Stephen the Great of Moldova also achieved many defensive victories over the Ottomans (most famously at the Battle of Vaslui in 1475). He is best renown as a devout Catholic who would go on long fasts and sought to establish a Christian nation in the midst of Ottoman influence. He strengthened Christian monasteries and castles across Moldavia. He resisted not only the Ottomans on the eastern front but also Polish and Hungarian opposition on the west. He was later canonized for the many monasteries he built and defended throughout Moldova. He is considered a national hero of Moldova, but also a hero of the Catholic faith.  

Ottoman and Habsburg Romania

While Moldova and Wallachia remained independent tributary stats of the Ottoman Empire, Transylvania continued to resist well into the 1500s. That is until the fateful Battle of Mohacs (1526) where the Hungarian Kingdom was once and for all defeated by Suleiman the Magnificent. This marked the collapse of the Hungarian Kingdom and a new period of Ottoman influence over the majority of Romania. Transylvania became a vassal state that now offered tribute to the Ottomans (similiar to Moldova and Wallachia). The Hungarian territory is mostly divided between the Ottomans and the Habsburg dynasty of the Holy Roman Empire. 

During this period a new cultural fusion began, of Christians and Muslims throughout the Romanian states of Wallachia and Transylvania. Religious freedom was tolerated by the Ottomans, and Protestantism also began to take root throughout Romania. In 1593, the Wallachian Prince Michael the Brave united Wallachia, Moldavia, and Transylvania to begin a campaign of Ottoman resistance. This was part of a greater conflict iniated by the Habsburg monarchy known as the Long Turkish War (1593-1606). While Michael the Brave was able to take advantage of the dispute and achieve victories such as at Battle of Girugiu, his political alliance was eventually crushed by the Ottomans in 1601. 

The state of Transylvania reached it's golden age in 1613 to 1629 under the rule of Gabor Bethlen. He strengthened his alliance with the western Protestant powers, seeking to establish a Calvinist state whilst balancing peace with the Ottomans. This saw the first major flourishment of Romanian trade, agriculture, schools, and urban development. By 1687 the Habsburg dynasty presses it's advantage on the Ottoman Empire during the Great Turkish War. With a powerful alliance of the Holy Roman Empire, Poland, Russia, and Venice they are able to achieve victory and redistribute new lands. The Habsburg dynasty takes ownership of Transylvania in 1699 while Wallahia and Moldavia stay with the Ottoman's influence.

Throughout the 1700s Romania remains divided by Habsburg and Ottoman influence. Wallachia attempted to regain it's independence under the leadership of Constantin Brancoveanu who oversaw a boom of art and architecture. However he was later executed by the Ottoman's for plotting with the Christians. Meanwhile the Russian Empire began to make it's grand entrance in the region during the Russo-Turkish War of 1710-1711. Moldavia boldly sided with Russia hoping to achieve it's independence once again, but were ultimately defeated by the Ottomans. Despite this foreign intervention Romania continues to build it's cultural identity. The city of Bucharest becomes a booming cultural trade hub for the Ottomans and the Balkans during this period.

Romanian Independence

During the 1800s the European wave of nationalism spread into Romania as political cries for independence began. In 1821, Tudor Vladimirescu organized a Pandur militia and led an uprising in Wallachia seeking to achieve independence for Wallachia, Transylvania, and Romania. The uprising was brutally crushed by the Ottomans however and Tudor was executed. However this event only intensified Romania's desire for a unified state and independence from the Ottomans. During the Spring of Nations in 1848, various national uprisings occurred in Romania, primarily in Bucharest led by Nicolae Balcesu and Ion Heliade Radulescu. The revolution was once again crushed, and Romania was left alone to seek independence from the Ottomans.

In 1853 the Romanian nationalist movement finally got some help during the Crimea War between Russia and the Ottoman Empire. Their was a sudden shift of eastern European powers, as both Russia and the Ottoman Empire were weakened by the three year conflict. As a result Romania was allowed more autonomous control, but still under the influence of the Habsburg Austrian dynasty. Alexandru Ioan Cuza became a key Romanian figure in 1859 when he successfully united the principalities of Wallachia and Moldavia to establish the first independent nation of Romania. The name "Romania" was adopted as their new state name since it referred to their ancestral Roman roots in Dacia. Transylvania however remained under Austro-Hungarian control for a while longer.

The nationalist movement however continued in Transylvania seeking to unite with the new state of Romania. Even after the Russo-Turkish War of 1877-1878 where Romania was recognized as an official state, Transylvania was still unable to join the party. Carol I became the first king of Romania and instituted a cultural boom such as the development of infrastructure, industry, arts, and architecture. Some of his most famous buildings include the Peles Castle and the King Carol Bridge which spanned across the Danube River to become the longest bridge in Europe at it's time. 

However despite this boom in Romanian culture, The Austro-Hungarian Empire stood firmly against Transylvanian nationalist movements. This tense situation remained until the end of WWI, where the Austro-Hungarian Empire was defeated by the western allied powers. Transylvania finally had the freedom to join Romania in 1918, and became the independent state we know it as today. Moldova eventually broke away in 1990 after the fall of the Soviet Union. Both nations still hold a friendly brotherhood of shared historical development. It's a very rich history, that was mostly occupied territory, however a cultural identity of resistance was established in those stubborn Carpathian Mountains.    

Saturday, November 22, 2025

Book Review: Dracula

After 2 months of WWII studies, I now close that period and begin a new historical appreciation phase. The Eastern European region of Romania (primarily Transylvania) where Vlad the Impaler once ruled during the 1400s. This interest came to me when I found the book The Historian by Elizabeth Kostova at Goodwill for only 2 dollars. The book has long been on my read list so I decided to read it after I finished my WWII studies. The book is a fiction regarding this iconic historical figure which influenced the famous vampire, Dracula. As Halloween approached I decided I would first jump into the classic Gothic source material by Bram Stoker, before diving into Kostova's 700 page beast. 

Stoker's character of Dracula is one of the most iconic Halloween figures, aside from maybe Frankenstein or the jack-o-lantern. He is a cultural icon, that pretty much put vampires on the map of mythical folklore. However while there isn't a person who doesn't recognize this creepy character, the original story is often lost in today's popular culture. I first stumbled upon Bram Stoker's significant work in my deep dive of classic literature, (some 5 years ago) and included it in my top 100 most important books, see 100 Classic Novels. Mostly due to it's cultural influence the story has had. But I had not read the horror book before, and was quite unfamiliar with the storyline until now. 

I should also mention before I begin this full dive into Romanian folklore and history that I have actually hit the topic of vampires (not too long ago). This was a few years ago as I was preparing for my trip to Prague, Czech Republic. I stumbled upon a book called the Lights of Prague, which I found to be inspiring. I wrote a blog study about vampires (see History of Vampires) and of course was in a phase for a while. So therefore I have already hit a little bit on the king of all vampires, Count Dracula. That post however was more of a general study on the mythical creature of vampires. This study here will be primarily on the book written by Stoker, as well as the significance of the character he created. 

The Setting

Since the book was written in the 1890s it provides a great Victorian setting of Europe (mostly England and central Europe). A young ambitious solicitor named Jonathan Harker travels to Transylvania to secure a real estate deal with a client known as Count Dracula. The journey is an eerie one thru the Carpathian Mountains surrounded by misty weather and strange people. Harker finally arrives to Dracula's castle where he meets the peculiar pale host. With each passing day however he sees frightening oddities such as 3 spectral women and the count climbing outside the castle walls (upside down like a lizard). He begins to fear he is going mad and eventually is able to escape by scaling down the castle walls during the daylight. He makes his way to a hospital in Budapest where his fiancee Mina collects him in a very frail state. 

The story then shifts to various perspectives first concerning a mysterious ship that has crashed on the English coast. All crewmembers on the boat are killed by what appears to be some form of rat virus. The cause is later revealed to be Dracula who has now moved into his English manor. Then there is the perspective of Lucy Westenra, a close friend of John's fiancée Mina, who appears to be going ill. Another main perspective comes from her doctor and suitor, John Seward who works at an asylum clinic. It slowly becomes clear that Lucy's sickness is not a typical medical one, but a sickness of the mind (caused by a dark haunting). Seward summons his former professor, Van Helsing to help him diagnose the strange case of Lucy. 

The two medical doctors are able to discern that Lucy is losing blood to a mysterious demon. Van Helsing, being the more practiced in these spiritual matters, comes up with some methods to defend her such as garlic and a crucifix. The superstitious methods begin to help Lucy recover, however one evening she takes off her garlic necklace. She and her mother are attacked by a mysterious wolf that night. Lucy's mother dies of a heart attack and Lucy dies the next day due to blood-loss. Soon after there are reports of missing children. Van Helsing is once again able to determine that Lucy has now become a vampire and is the culprit that is stealing children. He visits her grave with Dr Seward where they behead her, drive a steak thru her heart, and fill her mouth with garlic so as to rid the evil spirt from her body.

The perspective then shifts to Mina who begins to experience a similar haunting in the nights by Dracula. Sensing he is now being hunted, Dracula is able to recruit an asylum lunatic Renfield, to do his bidding. Renfield attacks Mina in the nights, drinking her blood, so that she too will become a vampire unless Dracula is killed. Dracula later kills Renfield for attempting to protect Mina. Van Helsing, Dr. Seward, and Jon Harker devise a plan to hunt Dracula by destroying all his coffins with Romanian dirt (which he needs to sleep in during the daylight). Van Helsing is able to then hypnotize Mina to reveal his next movement, which is back to his castle in Transylvania. The group then follows him there so as to complete their mission of killing him.

As the hunters travels across the Carpathian mountains to find Dracula's castle, they are attacked by a group of local Gypsy women that are servants to Dracula. John Harker is able to track the boat of gysies that are carrying Dracula's coffin along the Danube river. As they move Dracula's coffin to a wagon, Harker pursues the wagon right outside the castle (as the sun begins to set). He is able to overcome the gypsy men, open Dracula's coffin, and strike the fatal blow to his heart. At this point Dracula crumbles to dust, which ends his curse on Mina.  

The Review

I must say upfront I have mixed reviews on this classic Gothic horror novel by Bram Stoker. It's not at all what I was expecting, and it's amazing to see how far they have evolved Dracula's story. The part that especially made it a rather cumbersome was the multiple perspectives and diary logs. While it's a creative idea, it's non-linear and is almost like a puzzle to piece together the timeline of events. There really is not a main character in this book, rather the main villain of Dracula. What I especially found annoying was that most of the time, he was merely in the shadows. Not at all like this suave vampire interacting with humans that we often see depicted on TV or movies.

I especially enjoyed the first few chapters of of the book pertaining to John Harker's account. His descent into madness while visiting Count Dracula's castle was everything I was hoping for. His visions of the ghostly women, and Dracula climbing down the castle like a lizard truly sent him into hysteria (I found this to be very entertaining even comical at times). However after this opening phase the story then shifts to a mysterious account of haunted women (Lucy then Mina). It even has a psychiatric medical element as provided by Dr Seward and Prof Van Helsing. For the majority of the story Seward and Helsing are basically trying to uncover what is making these women so sick. Therefore we rarely get any interaction whatsoever with Dracula throughout the book.

I can still see why the book was considered a masterpiece and has a very original dark style to it. First it takes us to such a unique setting in eastern Romania (Transylvania), which no doubt has a mysterious allure to western society. Then it creates a shocking character, only to put him in the backdrop most of the book. We know he is there lurking, but the story becomes more of a psychiatric investigation or an exorcism. First the doctors need to uncover what is causing the mental issue, then they need to locate and defeat the root of this wickedness, that is Dracula. It's definitely a book I would read again someday to gather more appreciation for. 

Portrayals of Dracula

As I mentioned before, Stoker's character of Dracula, has elevated to world-famous status almost since it's inception. It has embedded it's way into popular culture, almost no different then other iconic fictional characters such as Mickey Mouse, Sherlock Holmes, or even Santa Claus. I would like to cover some of the major adaptations and references to this character over the last 100 years, that have made it such an iconic figure in popular culture. 

  • 1922: (Nosferatu)- The first silent film portrayal of Dracula, however used a different name due to legal rights. The German film is often regarded as a masterpiece for it's filming techniques.
  • 1931 (Dracula) - Iconic original Hollywood film starring the Hungarian actor Bela Lugosi in the title role. It is often considered the most famous portrayal since it was the original. 
  • 1958 (Horror of Dracula)- Christopher Lee plays an iconic Dracula
  • 1971 (Count Chocula) Count Chocula became the marketed character of the popular chocolate marshmallow cereal produced by General Mills. 
  • 1972 (Sesame Street) The character of Count von Count makes his first appearance portraying Count Dracula to teach children how to count numbers. No doubt an early influence for many children when it comes to the popularity of Dracula. 
  • 1979 (Dracula) - Frank Langella portrays the part
  • 1992 (Dracula) - Gary Oldman plays the part in Francis Ford Coppola's film which is considered one of the most faithful adaptations of the book. 
  • 2012 (Hotel Transylvania) - Animated children's account of Dracula and his famly.
  • 2024 (Nosferatu) - Very well done remake of the 1922 version. 

Friday, November 21, 2025

Top 50 Early Music Composers

In the weeks leading up to Christmas season, I always get into a classical music phase. I think it's the madrigals or Tchaikovsky's Nutcracker Suite that really set the tone. However watching the film Amadeus during the holidays as kids also probably had something to do with it. I love the instrumental peaceful quality of classical music. Dating back to the medieval chants, the Renaissance madrigals, and the common practice of Baroque, Classical, Romantic, and even Modern eras. It has such a timely mystical quality to it like entering some fantasy world of old. I especially enjoy to listen to classical music when I'm reading or writing. 

I've made several dives into classical study before, but have yet to post anything here in this blog (aside from my Top 50 Musicians list of which several classical composers are included). I've been wanting to compile this list for some time now, as a historical study of the most influential classical musicians. However as I prepared my study it occurred to me that I should probably divide the list into two categories; the Early Music Era (500-1600, which includes Medieval and Renaissance music) and the Common Practice Era (1600-1900s, which includes the classical tradition). The music of the early age was defined by a system of church modality, and later evolved into common era of tonality (which included major and minor keys). Both periods provide beautiful orchestral/vocal/and tonal arrangements that are considered the foundation of music as we know it today. 

I actually just recently discovered the majestical wonder of medieval and Renaissance music. The Gregorian chants and madrigal music is quite angelic as if you're floating in some form of heavenly abyss. It's important to understand that musical notation was not properly developed until the 800-900 AD. Prior to this the music of the ancients were memorized melodies without any real written sequence. By the medieval age, musical theorists developed a system of notation (like a mathematic formula or an alphabet) to be able to read musical notes. This was the beginning of musical composition where a piece of music could now be shared and preserved thru history. 

From that point on, early musical composition evolved in various regions and styles. There were distinct circles of theorists/composers known as schools that contributed to the study and practice of music. This includes the medieval French schools of St. Martial, Notre Dame, Ars Nova, and Ars Subtilor and the Italian school of Trecento (1100-1300s). The transition to renaissance music was developed by the Burgundian School and the Franco-Flemish School in the early 1400s. It further evolved in Italy during the 1500s with the development of the iconic court compositions known as madrigals. This provided new harmonious layers of choral and vocal arrangements and the beginning of a secular sound, free from the church. 

This list is by no means a ranked 50 as I still consider myself quite a novice in the dept of Medieval and Renaissance music. It's rather a list of the 50 most important/influential composers of the early musical eras. Of course I'll be putting the more famous ones at the top of the list however. I intend to better understand their musical style, nationality, time-frame, and most famous compositions. Who knows maybe someday I can make a revised version of this list as I have often done before with my Top 50 Music and Movies list. So without further ado here are the 50 most significant musicians of the early era (including honorable mentions).

Honorable Mention

  • Heinrich Finck
  • Baude Cordier
  • Kassia
  • John Bull
  • Leonel Power
  • Solage.
  • Arnaut Daniel
  • Alexander Agricola
  • Adam of Saint Victor
  • Adémar de Chabannes
  • Hermann Finck
  • Maddelena Casulana
  • Mesomedes of Crete
  • Seikilos
  • Bertran de Born
  • William IX, Duke of Aquitaine
  • Minnesänger Gottfried von Strassburg
  • Hartmann von Aue
  • Reinmar von Hagenau
  • Chrétien de Troyes
  • F. Andrieu
  • Grimace
  • Jehan Vaillant
  • P. des Molins
  • Jacopo da Bologna
  • Richard Davy
  • Matthaeus Pipelare
  • Juan del Encina
  • Robert Fayrfax
  • Philippe Rogier
  • Baldassare Donato
  • Costanzo Festa
  • Luis de Milán
  • Antonio de Cabezón
  • Peter Aberlard
  • Moniot d'Arras
  • Joan Ambrosio Dalza
  • Jean l'Heritier
  • Stephen of Liege
  • Sebastián de Vivanco
  • Giaches de Wert
  • Jacob Regnart
  • Tuotilo of St. Gall
  • Hartker of St. Gall
  • Wipo of Burgundy
  • Pierre Certon
  • Neidhart von Reuental
  • Blondel de Nesle
Greatest Early Composers

50. Notker Balbulus
  • Years: 840-912
  • Nationality: Swizz (Saint Gall)
  • Musical Style: Early Medieval Carolingian Period. Gregorian Chants. 
  • Life: He was a monk at the Abbey of Saint Gall and one of the most influential in developing charts and compositions of their liturgical chants. He was referred to as Balbulus the stammerer due to his speech impediment. 
  • Famous Compositions:
    • Antiphons for the Office (Liturgical chants)
    • Saint Gall Manuscripts
49. Costanzo Festa
  • Years: 1485-1545
  • Nationality: Italian (Milan)
  • Musical Style: Early Italian Renaissance. Franco-Flemish influenced. Motets and Masses. 
  • Life: He was born near Milan and worked as a singer and composer for Pope Leo X in Rome. He also spent time performing in the courts of Ferrara and Milan where he became influenced by the Franco-Flemish style. He was thus famous for integrating the Italian sound with the Franco-Flemish sound during the early Renaissance. 
  • Famous Compositions: 
    • Missa L'homme armé — a mass based on the popular “L’homme armé” melody.
    • Motet: Ave Maria — highly expressive, often recorded. 
    • Motet: Gaude Maria virgo — Marian motet showcasing imitative polyphony.
    • Hymn: Pange lingua gloriosi — choral hymn setting.
    • Secular madrigals — though fewer survive, they show early Italian text-painting techniques.
48. Walther von der Vogelweide
  • Years: 1170-1230
  • Nationality: German
  • Musical Style: Medeival Era. Monophony. Single Melodic lines of strophic form. 
  • Life: He was a wandering poet and singer who performed in various courts throughout medieval Germany and Europe. He performed in the courts of Vienna under Duke Frederick I, Philip of Swabia, and even Frederick II of the Holy Roman Empire. He remained popular throughout his lifetime for his poetic love songs but also his political commentary. His musical troubadours were later preserved via his manuscripts. 
  • Famous Compositions:
    • Palastinaleid (Most popular song on Spotify)
    • Under der Linden
    • Ich saz uf eime steine
    • Ir sult sprechen willekomen
    • Nu alrerst lebe ich mir werde

47. Andrea Gabrieli
  • Years: 1532-1585
  • Nationality: Italian (Venetian)
  • Musical Style: High Renaissance; Polychoral Style. Motets and Madrigals.
  • Life: He spent much of his life in Venice and was an organist at St. Mark's Basilica in 1585. During this time he studied under the father of Venetian Music, Adrian Willaert. He spent some time in Munich which he later incorporated into his musical style. He is often credited with inventing the ceremonial sound of Venice. His nephew Giovanni Gabrieli also went on to be a great musical composer of the High Renaissance. 
  • Famous Compositions:
    • Missa Pater Peccavi
    • Ricercar VIII
    • Communion: O Sacrum convivium a 5 (Number one on Spotify)
    • Jubilate Deo (Polychoral motet)
    • Angelus ad Pastores ait (polychoral motet)
 46. Bernart de Ventadorn
  • Years: 1130-1200
  • Nationality: French (Limousin) 
  • Musical Style: Medieval era. Troubadour poet and singer. Cansos (lyrical love songs)
  • Life: He was born of modest class and wrote love songs that quickly won over noblewomen. He later entered the service of the noble patron Eleanor of Aquitaine and traveled with her to England for some time. His fame reached great height throughout France and England due to the popularity of his love songs which were later preserved via manuscripts.
  • Famous Compositions:
    • Can vei la lauzeta mover (Most famous piece on Spotify)
    • Can l'erba fresc
    • Non es Meravelha s'eu chan
    • Lo tems vai e ven e vire
45. John Wilbye
  • Years: 1574-1638
  • Nationality: English (Suffolk)
  • Musical Style: English madrigals and poetry; balanced polyphony
  • Life: He worked under the patronage of the noble Elizabeth Kitson in Suffolk, where he performed many brilliant works of madrigal music. Most of his work was done for the private audience of the wealthy family and their friends however he did publish two famous works of madrigal compositions.  
  • Famous Compositions:
    • First Set of Madrigals (1598)
      • Adeieu sweet Amaryllis
      • Flora gave me fairest flowers
      • Happy, o happy he
    • Second Set of Madrigals (1609)
      • Draw on, Sweet Night (Number one on Spotify)
      • Weepe, O Mine Eyes
44. Johannes Ciconia
  • Years: 1370-1412
  • Nationality: Franco-Flemish (Liege)
  • Musical Style: Medieval; Early Renaissance. Bridging the new Ars Nova polyphony sound from Medieval to Renaissance.
  • Life: Born in Liege, he studied the musical traditions in France and Belgium before traveling to Italy where he began performing in courts and chapels. He performed motets and secular songs and became popular in Venice, Padua, and Pavia for infusing the northern sound with the Italian sound of the early renaissance.
  • Famous Compositions:
    • Per Quella Strada latea del cielo (most popular song on Spotify)
    • O Felix templum (ceremonial motet)
    • Gloria tibi Trinitas (sacred Ars Nova song)
    • Sus un fontayne
    • Una panthera
    • Stenae

43. Jan Pieterszoon Sweelinck
  • Years: 1562-1621
  • Nationality: Dutch (Amsterdam)
  • Musical Style: Keyboard music and variations with harmonic polyphony 
  • Life: He is often referred to as the Orpheus of Amsterdam where he was organist of the Oude Kerk (Old Church of Amsterdam) at age 15. He became famous for his performances and also became a teacher where many traveled to learn from him during the Dutch Golden Age. He was a crucial architect of the keyboard music that led the transition from the Renaissance style into the Baroque style. 
  • Famous Compositions:
    • Pseaumes de David, Livre 2. No 30 (Number 1 on Spotify)
    • Variations on “Mein junges Leben hat ein End”
    • Echo Fantasia in D
    • Chromatic Fantasy
    • Fantasia Cromatica
    • Toccatas and Ricercars
    • Organ Chorale Variations
42. Adam de la Halle
  • Years: 1245-1295
  • Nationality: French (Arras)
  • Musical Style: Medieval; Troveres (poet-composer). Performed monophonic and polyphonic music. Motets, and theatrical satires. (blended music with drama performces)
  • Life: He was active in both the courts and ecclesiastic centers of France well regarded for his musical compositions. His music has a playful and dramatic style which was later utilized in theatrical stage works, an early precusor to operas. 
  • Famous Compositions:
    • Jeu de Robin et Marion (Medieval stage play. Considered the first French musical comedy)
    • De ma dame vient
    • Mount me Fu Gries de la bele
    • Kom, du ljuva hartevan (Come you Sweetest Maid)- most popular on Spotify
    • Rose, liz printempts verdure
41. Luca Marenzio
  • Years: 1553-1599
  • Nationality: Italian (Brescia)
  • Musical Style: Supreme colorist. Madrigals. Harmonic shifts. 
  • Life: He was a court composer and chapel performer throughout Italy, performing for the Cardinal of Rome, the Medici of Florence, and eventually came under the patronage of the Pope of Rome. 
  • Famous Compositions:
    • Baciami Mille Volte a 5 Voci (number 1 on Spotify)
    • Solo e pensoso” (one of the era’s jewels, text by Petrarch)
    • Cruda Amarilli
    • Ahi, dispietata morte
    • O voi che sospirate a miglior donne
    • Books 1–9 of his 5-voice madrigals

40. Walter Frye
  • Years: 1420-1474
  • Nationality: English
  • Musical Style: Early Renaissance. The Contenance Angloise tradition. Smooth leading voices with harmonic textures.
  • Life: Very little is known about his biography and when or where he was born. It is believed he performed at the Ely Cathedral from 1433-1466 where he garnered admiration and fame for his musical quality. His music was discovered after his death, via his manuscripts. 
  • Famous Compositions:
    • Missa Flos Regalis (one of his more complete mass settings)
    • Missa Nobilis et Pulchra
    • Missa Summe Trinitati — a three-voice mass.
    • Motet: Ave Regina Caelorum — very popular; his Ave Regina appears in three contemporary paintings.
    • Chanson / Song “Tout a par moy” — secular piece widely circulated.
    • Ballade “So ys emprentid” — Number one on Spotify.
39. Cipriano de Rore
  • Years: 1515-1565
  • Nationality: Flemish (Modern day Belgium)
  • Musical Style: High Renaissance, Franco-Flemish School Madrigals, Motets, Masses. Expressive
  • Life: Born in Flanders he studied in Venice under Adrian Willaert (the founder of the Venetian school). He spent time in courts and chapels throughout Italy, merging the Flemish style with the Italian style to create a new more expressive form of madrigal. 
  • Famous Compositions:
    • Ancor Che Col Partire
    • De le Belle Contrade d'Oriente (One of his most famous madrigals)
    • O Sonno
    • Misa Vivat Felix Hercules (Sacred Works)
    • Infelix Ego (Sacred motet)
38. Antoine Brumel
  • Years: 1460-1512
  • Nationality: French
  • Musical Style: Franco-Flemish School; High Renaissance. Grand scale sacred works.
  • Life: Heavily influenced by Josquin des Prez, Brumel worked in various French musical chapels suh as Chatres Cathedral, Notre Dame in Paris, and the Este Court in Ferrara. Not too much is known about his life, however his reputation increased after his death due to his many written compositions. 
  • Famous Compositions:
    • Missa Et Ecce Terrae Motus
    • Lamanetations of Jeremiah
    • Magnificat Tone I
    • Missa de Beate Virgine
    • Sicut lilium (One of his most famous Motets, and number one piece on Spotify)
37. Jean Mouton
  • Years: 1459-1522
  • Nationality: French 
  • Musical Style: High Renaissance Polyphony; Franco-Flemish School. Motets, masses, and chansons. 
  • Life: He worked in the French royal court under King Louis XII and Francois I and became one of the most important composer in France during his time. He was the teacher of Adrian Wallaert who later became known as the Father of the Venetian School. 
  • Famous Compositions:
    • Salva nos, Domine
    • Nesciens Mater
    • Quis dabit oculis nostris (Lament on the death of Queen Anne of Brittany)
36. Francisco Guerrero
  • Years: 1528-1599
  • Nationality: Spanish (Seville)
  • Musical Style: Spanish Renaissance Polyphony. Mass and motet arrangements. 
  • Life: He studied under the great Spanish composer Cristobal de Morales and at the age of 18 he became the choir master of the Jaen Cathedral. He later became music director of the Seville Cathedral. He spent time traveling to Italy and the Holy Land of Jerusalem, before being ransomed by pirates. He spent his final years in poverty however his mass and motet compositions lived on.
  • Famous Compositions:
    • Maria Magdalena (motet. Number one on Spotify) 
    • Ave Virgo Sanctissima (motet) 
    • Missa Surge Propera (mass)
    • Missa Congratulamini Mihi (mass) 
35. Thomas Morley
  • Years: 1557-1602
  • Nationality: English (Norfolk)
  • Musical Style: English Madrigal. Secular and sacred music. Also influenced by Italian Madrigals.
  • Life: At a young he became a chorister at St. Paul's Cathedral in London. He later worked closely with the renown musician William Byrd and the Chapel Royal. He published various important works of musical theory as well as compositions of English Madrigals performed for the Elizabethan court. One of his defining features in his music was the fusion of English and Italian madrigal style. 
  • Famous Compositions:
    • I Heard a Voice from Heaven (His number one track on Spotify)
    • Now is the Month of Maying” — his most famous madrigal, light and festive.
    • “Sing We and Chant It” — madrigal, often performed at early music festivals.
    • April is in my Mistress’ Face” — another popular madrigal.

34. Ludwig Senfl
  • Years: 1486-1542
  • Nationality: German/Swiss (Basel)
  • Musical Style: Late Renaissance; German Franco-Flemish  Tradition. Polyphonic sacred and secular music. 
  • Life: He was born in Basel, Switzerland and studied under the famous German composer Heinrich Isaac in the court of Habsburg. He later worked in Vienna as a composer of the Imperial Chapel whilst serving the Habsburg dynasty. He composed both Catholic and Protestant works of sacred motets. 
  • Famous Compositions:
    • Ach Elslein, Liebes Elselein Mein (Most Popular piece on Spotify)
    • “Ach, dass ich Wassers gnug hätte” – German lied, one of his most recorded secular pieces.
    • Motet: “O Maria, heil’ge Mutter” – sacred polyphony.
    • Mass settings – several for 4–6 voices, demonstrating his contrapuntal skill.
    • “Responsorium de Sancto Spiritu” – a liturgical motet.
    • German lieder collections preserved in manuscripts and early printed editions
    • Im Maien- catchy piece.
33. Nicolas Gombert
  • Years: 1495-1560
  • Nationality: Franco-Flemish (Belgian/France)

  • Musical Style: Late Renaissance, Franco-Flemish school. Dense Polyphony, hypnotic quality. Sacred music of masses and motets.
  • Life: He worked at the Imperial Habsburg under the Holy Roman Emperor, Charles V. He served at the Spanish royal courts and became musical director at the Cathedral of Toledo. During this time he was accused of a sexual scandal with a choir boy and he was imprisoned. Despite this scandal he composed a number of influential works of Late Renaissance music. 
  • Famous Compositions:
    • Magnifcat Primi Toni- His most popular piece on Spotify
    • Motet: “Usquequo Domine” – one of his most famous motets, showcasing dense imitative polyphony.
    • Missa “Hercules Dux Ferrariae” – a well-known mass setting.
    • Motet: “Veni Sancte Spiritus” – typical example of his continuous polyphonic style.
    • Motet: “Super flumina Babylonis” – another frequently recorded piece.
    • Many other sacred motets, often for 5–6 voices, which display his contrapuntal mastery.
32. Gilles Binchois
  • Years: 1400-1460
  • Nationality: Franco-Flemish
  • Musical Style: Early Renaissance; Burgundian school. Merged the English school with the French style.
  • Life: Served in the Burgundian court under Philip the Good for 30 years. Served as a soldier and a musical composer. He worked alongside other great composers such as Guillaume Du Fay and John Dunstaple. He achieved fame throughout his life, with many compositions of sacred music.  
  • Famous Compositions:
    • “De plus en plus”
    • “Triste plaisir” (His most popular song on Spotify)
    • “Je loe amours”
    • “Mon seul et souverain désir”
31. Orlando Gibbons
  • Years: 1583-1625
  • Nationality: English
  • Musical Style: English Madrigal School. Keyboard. Polyphony. Sacred works. 
  • Life: He was born into a musical family near Cambridge and became a choral singer and organist for the Gentlemen of the Chapel Royal in 1605. He continued to study music at Oxford and was later appointed chief organist at Westminster Abbey in 1623.
  • Famous Compositions:
    • “The Silver Swan” — most famous madrigal
    • “This Is the Record of John” — verse anthem
    • “O Clap Your Hands Together” — full 8 voice anthem
    • Short Service & Second Service — choral works for evensong
    • Pavans — for viol consort, beautifully contrapuntal and expressive. Number one on Spotify. 
    • Keyboard / Virginal Fantasias — solo keyboard works showing his contrapuntal skill.
30. Philippe de Vitry
  • Years: 1291-1361
  • Nationality: French
  • Musical Style: Ars Nova; transition from Medieval to Renaissance
  • Life: Served in the court of King John II of France and various other royal patrons. He was a poet, composer, and musical theorist who developed the style of Ars Nova (which began the transition from Medieval to Renaissance style that included a more complex rhythmic sequence). Many of his compositions were lost however most of his sacred works remained intact. 
  • Famous Compositions:
    • Cum statua/Hugo
    • Petre Clemens/Lugentium
    • Garrit gallus/in nova fer Neuma
    • Veni Creator Spiritus

29. John Dowland
  • Years: 1563-1626
  • Nationality: English (London)
  • Musical Style: Late Renaissance. English Madrigal and lute pieces.
  • Life: He was born in London but studied extensively in both Italy and Germany. He also served for the Danish King Christian IV as his court composer. John Dowland was most renown for his lute performance and compositions, which became an iconic instrument of court composers during the Renaissance. 
  • Famous Compositions:
    • Lady Rich, Her Galliard
    • Frogg Galliard
    • Lachrimae Antiqua
    • Melancholy Galliard
    • Now O Now I Needs Must Part (Madrigal)

28. Cristóbal de Morales
  • Years: 1500-1553
  • Nationality: Spanish (Seville)
  • Musical Style: Renaissance polyphony; Spanish sacred music tradition. Also influence by Franco-Flemish style. 
  • Life: Born in Seville, Spain he worked for various cathedrals in Palencia, Seville, and Toledo. Whilst in Rome he partnered and was influenced by the Franco-Flemish composer Pierre de La Rue. He was an early figure in the Spanish renaissance and influeced later great Spanish composers such as Tomas Luis de Victoria and Francisco Guerrero. 
  • Famous Compositions:
    • Parce Mihi Domine (Spare me Lord)- His most popular piece on Spotify
    • The Magnificats (Song of Mary. 8 ecclesiastical modes)
    • Missa Mille Regretz (his best known mass)
    • O Magnum Mysterium
    • Missa pro Defunctis (Requiem Mass)
27. Jacob Clemens non Papa
  • Years: 1510-1555
  • Nationality: Franco-Flemish (Modern day Belgium
  • Musical Style: Franco-Flemish school. Sacred music masses, motets, and secular chansons. 
  • Life: Born in Flanders he worked in various churches in the region, including in France. Little is known about his life, however he was highly regarded as a musical composer. He was referred to as "Non Papa" to distinguish him from the pope of the time, Clement VI. He is most regarded for his musical adaptations of the psalms in Dutch known as the Souterliedekens.
  • Famous Compositions:
    • Adieu délices de mon cÅ“ur- Most popular piece on Spotify
    • Sanctus
    • Ego flos campi
    • Veni Electa Mea
    • Carole, Magnus Eras
    • Souterliedekens (Dutch psalm settings) — extremely important and historically popular; he set many psalms in Dutch for domestic singing
    • Salvator Noster Dilectissimi — 5‑voice motet
    • Tristitia Obsidet Me

26. Carlo Gesualdo
  • Years: 1566-1613
  • Nationality: Italian
  • Musical Style: Neapolitan Madrigal tradition. Highly Chromatic, expressive, with elements of despair and ecstasy. Harmonic shifts. 
  • Life: He was a noble Prince of Venosa well versed in musical composition. However he lived a scandalous life after he murdered his wife and her lover after discovering them having an affair.  
  • Famous Compositions:
    • Moro, lasso, al mio duolo (Madrigal)
    • Beltà, poi che t’assenti (Number one on Spotify)
    • Tenebrae Responsoria Tristis est Anima Mea (Another beautiful song)
    • Se la mia morte brami
    • O Dolce mio tesoro

25. Michael Praetorius
  • Years: 1571-1621
  • Nationality: German
  • Musical Style: Late Renaissance/Early Baroque. German Protestant movement. Sacred and secular music. Blends Italian Polychoral elements with German elements
  • Life: Served as Kapellmeister for the Duke of Brunswick at Wolfenbüttel. He spent much time developing theory and compositions that would later influence musical academies throughout Germany. His encyclopedia Syntagma Musicum became a crucial source of Baroque musicology. He worked mostly in Lutheran churches and composed various popular Christmas arrangements such as Lo, How a Rose E'er Blooming. His version is arguably the most well known harmonization of the famous carol. 
  • Famous Compositions:
    • “Puer natus est nobis” – a motet for Christmas, widely performed.
    • “Es ist ein Ros’ entsprungen” – arrangement of the famous German carol. Number one on Spotify. One of my all time favorite Christmas hymns of old. 
    • Polychoral works such as Canticum B. Simeonis – works for multiple choirs and instruments. 
    • Terpsichore (1612) – a collection of over 300 instrumental dances; extremely influential for early Baroque dance music.
    • Chorale settings – numerous Lutheran chorale arrangements for voices and instruments.

24. Giovanni Gabrieli
  • Years: 1555-1612
  • Nationality: Italian (Venice)
  • Musical Style: Late Renaissance. Venetian School. Transitional to Baroque music. 
  • Life: He was a nephew and student of his uncle Andrea Gabrielle (who was a student of Adrian Willaert). Just like his uncle he became an organist at St. Mark's Basilica and helped advance the Venetian style of instrumentation with polychoral tradition. He was a key figure in bridging the transition from Renaissance to Baroque style. 
  • Famous Compositions:
    • In Ecclesiis (His most popular piece on Spotify)
    • Sonata Pian e Forte (One of the first pieces of music to incorporate sound dynamics)
    • Sacrae Symphoniae (collection of motets and canzonas)
    • O magnum mysterium
    • Jubilate Deo
23. Léonin
  • Years: 1150-1201
  • Nationality: French
  • Musical Style: Medieval Era; Notre Dame School. Pioneer of Two-Voice Organum
  • Life: Served as a cleric and composer at Notre Dame Cathedral during it's construction. Not much is known about his life, other than his post at Notre Dame and that he was the predecessor and teacher to Perotin. His manuscripts were preserved by the English musical theorist, Anonymous IV. 
  • Famous Compositions:
    • Viderunt Omnes (Number one piece on Spotify)
    • Alleluia, Pascha Nostrum
    • Haec dies
    • Resurrexi
    • Gloria
22. Hans Leo Hassler
  • Years: 1564-1612
  • Nationality: German
  • Musical Style: Late Renaissance/Early Baroque Composer. Germanic Polyphonic tradition also influenced by Italian madrigals. 
  • Life: Born in Nuremberg, Germany from a musical family he studied music in Venice, Italy. He brought back the Italian madrigal style and infused it with the German style to create an original sound. His innovative work as a court composer and organist helped bridge the transition from Renaissance to Baroque music. 
  • Famous Compositions:
    • Verbum caro factum est (widely performed motet)
    • Dulcis amor Jesu
    • O Jesu Christe, wahres Licht
    • Ich Liebe dich
    • Cante Domino canticum novum (most popular piece on Spotify)
21. Clément Janequin
  • Years: 1485-1558
  • Nationality: French
  • Musical Style: Parisan Chanson Tradition. Progammatic chansons. Lively, rhythmic melodies
  • Life: He worked in Paris throughout his lifetime for various musical patrons. He developed a distinctive style of secular music that often told stories of historical battles and victories. His music has a lively and catchy quality to it which made him quite popular during his lifetime. 
  • Famous Compositions:
    • Au joly jeu (most popular piece on Spotify)
    • La Bataille (mimics battles sounds with voices)
    • La Chant des Oyseaux (mimics bird songs)
    • Ce qu on fait au bon vin (jovial drinking song)
    • Mille regretz
20. Francesco Landini
  • Years: 1325-1397
  • Nationality: Italian
  • Musical Style: Italian Trecento; ballate, secular. Vibrant melodies renown for the "Landini cadence.  
  • Life: He was blind at an early age but had a strong sense for music and became a prominent singer, organist, and composer. He worked at Florence at the start of the cultural renaissance with other poets and artists. He was celebrated throughout his lifetime for his vibrant, expressive, and joyful music. 
  • Famous Compositions:
    • Ecco la primavera (most popular piece on Spotify)
    • Non avra ma pieta
    • O primavera
    • Kalenda Maya
19. Thomas Weelkes
  • Years: 1576-1623
  • Nationality: English
  • Musical Style: Renaissance. English Madrigal School. Anglican church and playful music.
  • Life: He achieved credibility as an organist and choir master at the Chichester Cathedral. He performed and wrote many compositions of playful and expressive renaissance madrigals. His character is often described with instances of wild and drunken behavior that often got him in trouble. However despite his outlandish character his music is highly regarded. 
  • Famous Compositions:
    • As Vesta Was from Latmos Hill Descending (Iconic English madrigal)
    • Lament and Elegy, Death Hath Deprived me (Most popular piece on Spotify)
    • The Triumps of Oriana
    • Thule, the Period of Cosmography
18. Johannes Ockeghem
  • Years: 1410-1497
  • Nationality: Franco-Flemish
  • Musical Style: Early Renaissance. Franco-Flemish School. Complex Polyphony. Masses, motets, and chansons
  • Life: Rose to prominence in French royal chapels, playing for various kings. Developed a new format of musical composition with more complex polyphony with smoother voices and extended notes.  He frequently worked alongside fellow French composer, Anotine Busnois. He was highly regarded throughout his lifetime and influence the great French composer, Josquin des Prez.
  • Famous Compositions:
    • Missa proclationum (most popular piece on Spotify)
    • Intermerate dei mater
    • Missa cuisvis toni
    • Intermeratea dei mater
    • Fors seulement (chanson)
17. Adrian Willaert
  • Years: 1490-1562
  • Nationality: Flemish (modern day Belgium)
  • Musical Style: High Renaissance. Founder of the Venetian School. Pioneer of antiphonal music known as Cori Spezzati, which was broken up choruses. 
  • Life: Studied under Jean Mouton in Paris, where he first learned the Franco-Flemish school of music. He later traveled to Italy to work for various nobles and later ascended to the post of musical director at St. Mark's Basilica in Venice. From this point on he established his reputation as the top composer of Venice, creating a new style of madrigal music. He influenced other great Italian composers such as Cipriano de Rore, Andrea and Giovanni Gabrieli. 
  • Famous Compositions:
    • Da Le Belle Contrade d'Oriente
    • Vecchie letrose non valete niente
    • Magnificat sexti toni
    • Surge, Illuminare
    • Se la face ay Pale 

16. John Dunstaple
  • Years: 1390-1453
  • Nationality: English
  • Musical Style: Early Renaissance. Pioneer of the English Countenance (distinctive style of sweet musical polyphony). 
  • Life: Worked under the patronage of the Duke of Bedford and the Duke of Gloucester where he got involved in politics, ecclesiastic, as well as astrology, and mathematics. He also spent some time where he worked with other famous composers such as Guillaume Du Gay and Gilles Binchois (considered the Big Three). He is regarded as one of England's most famous early musical composers alongside William Byrd and Thomas Tallis. 
  • Famous Compositions:
    • Missa Rex seculorum”
    • “Quam pulchra es” (Most popular piece on spotify)
    • “Alma redemptoris mater”
    • Veni Sancte Spritus

15. Pierre de La Rue
  • Years: 1452-1518
  • Nationality: Franco-Flemish (modern day Belgium)
  • Musical Style: High Renaissance. Deep and darker polyphonic style.
  • Life: He spent a good portion of his musical career serving the Habsburg-Burgundian courts and chapels primarily the Grand Chapelle (under Philip the Fair and Emperor Charles V). He spent some time traveling across Europe performing, however is one of the few Renaissance composers who did not visit Italy. His music is unique for it's darker deeper quality
  • Famous Compositions:
    • O Salutaris hostia (most popular on Spotify)
    • Jam Sauche
    • Absalon, fili mi
    • Requiem (one of the earliest polyphonic requeims)
14. Antoine Busnois
  • Years: 1430-1492
  • Nationality: Franco-Flemish (Burgundy)
  • Musical Style: Early Renaissance. Burgundian School. Sacred music with also dance-like chanson and court music. 
  • Life: Served in the court of Charles the Bold (Duke of Burgundy). He also worked as a chapel musician composing secular and sacred music. He achieved great recognition during his time, and influenced Jacob Obrecht as well as the great French Renaissance musician, Josquin. 
  • Famous Compositions:
    • Amours amours amours (Most popular piece on Spotify)
    • Alleluya
    • De tous bien plein
    • L'Homme arme (secular piece)
    • Je ne puis vivre (lively court love song)

13. John Taverner
  • Years: 1490-1545
  • Nationality: English (Lincolnshire)
  • Musical Style: English Renaissance. Florid style, Early Tudor school. 
  • Life: He studied music at the Cardinal College of Oxford where he became choir director. He then became a target of Henry VIII's protestant reformation, and was forced to leave his post, however managed to escape persecution. He spent his final years in solitude, polishing his wonderful musical compositions. He is considered the last great Catholic English musician prior to their complete reformation. 
  • Famous Compositions:
    • In Nomine: (Most popular song on Spotify)
    • Missa Gloria tini Trinitas
    • Western Wyned Mass
    • Missa Cornoa Spinea
    • Missa O Wilhelme
12. Jacob Obrecht
  • Years: 1457-1505
  • Nationality: Franco-Flemish (Ghent)
  • Musical Style: Early Renaissance. Franco-Flemish school. Sacred masses, motets, and secular songs
  • Life: Born in Ghent he worked in various courts and cathedrals throughout the Low Countries and later Italy. He was influenced by the works of Busnois and other great Burgundian composers. He was highly respected during his time, however many of his works were lost. He also influenced one of the greatest French renaissance composers, Josquin des Prez. 
  • Famous Compositions:
    • Largire nunc mitissime (most popular piece on Spotify)
    • Missa O'lume Ecclesie
    • Missa Caput
    • Missa sub tuum praesidium 

11. Guillaume Dufay
  • Years: 1397-1474
  • Nationality: Franco-Flemish
  • Musical Style: Burgundian School. Early Renaissance. The Crossroads between medieval and renaissance music. Known for masses, motets, chansons, and court dance music. 
  • Life: He was a choirboy at Cambrai Cathedral in France before moving to Italy to serve in the papal court of Rome. He became highly regarded for his musical performances and held a post at Cambrai Cathederal in that latter part of his life. He is considered a pivotal figure that influenced and lead the transistion from medieval to renaissance music. 
  • Famous Compositions:
    • Salteraello (Italian for "jump" this was a popular dance song played in the royal courts during the Renaissance heavy with flute, violin, and the lute. Very catchy upbeat song and the most popular piece on Spotify)
    • Ave Maris Stella
    • Vergene Bella (Another upbeat court dance song)
    • Missa L'Homme Arme (one of his most famous sacred masses)
    • Missa Se La Face ay Pale
10. Heinrich Isaac
  • Years: 1450-1517
  • Nationality: Austrian (Holy Roman Empire)
  • Musical Style: Franco-Flemish Style with Italian and German influence. Masses, Motets, and secular songs.
  • Life: Well traveled and cultural composer who began under the Habsburg court of Innsbruck before traveling to Florence. Whilst in Florence who was a patron of Lorenzo de' Medici and began merging the German sound with the Italian sound. He was highly respected throughout his lifetime and wrote many compositions that influenced future musicians.  
  • Famous Compositions:
    • Missa Presulem ephebeatum (most popular on Spotify)
    • Innsbruck, ich muss dich lassen (famous German secular song)
    • Maudit Soyt
    • Hymn to the Virgi

9. Pérotin
  • Years: 1180-1225
  • Nationality: French (Paris)
  • Musical Style: Medieval polyphone. Notre Dame School. One of the architects of multi-voiced, rhythmic polyphony known as organum. 
  • Life: He was influenced by Leonin and succeeded him as principle musical composer at the Notre Dame Cathedral. Although not much is known about his life, his manuscripts were later recovered and published by the English musical theorist known as Anonymous IV. He is best known for developing the scale of the organum from dual voices to multiple voice harmonies. 
  • Famous Compositions:
    • Beata Viscera (Most popular piece on Spotify)
    • Viderunt Omnes
    • Sederunt Principes
    • Alleluia, Nativitas
    • Rest est admirabilis

8. William Byrd
  • Years: 1540-1623
  • Nationality: English
  • Musical Style: Late Renaissance. Sacred, Anglican, consort, masses, madrigals, and keyboard solo works. 
  • Life: He was a pupil of the great Thomas Tallis. Byrd was a devout Catholic during Queen Elizabeth's religious persecutions however was spared due to his great music. He became a Gentleman of the Royal Chapel and wrote for both Protestant and Catholic branches. Considered the greatest keyboard composer of the Renaissance and one of the greatest English early composers alongside John Dunstaple and Thomas Tallis. 
  • Famous Compositions:
    • Ave Verum Corpos (Most popular piece on spotify)
    • Mass for Four Voices
    • Mass for Five Voices
    • Mass for Three Voices
    • Ave verum corpus
    • Laetentur caeli
    • Emendemus in melius
7. Hildegard von Bingen
  • Years: 1098-1179
  • Nationality: German
  • Musical Style: Medeival. Early sacred chant tradition. 
  • Life: Benedictine abbess at the convent of Ruperstberg, Germany. She is considered one of the first great female musicians, who claims to have had spiritual visions throughout her lifetime. She was considered a polymath of medicine, science, philosophy, poetry, and musical composition. She later served as an advisor to nobles and popes. She invented her own language with symbolic meanings to interpret her mystical visons. wrote many meditative hymns and chants that are recognized today as some of the greatest works of the medieval era. She is one of the only musical composers on this list to have been canonized as a saint. 
  • Famous Compositions:
    • Ordo Virtutum: liturgical drama and one of the earliest forms of morality plays
    • O vis asternitatis
    • Spiritus Sanctus Vivifancs (most popular on Spotify)
    • O Rubor Sanguinis Antienne (another lovely piece)
    • Ave Generosa
    • O Euchari in leta via
    • O Virtus Sapiente
6. Orlando di Lasso
  • Years: 1532-1592
  • Nationality: Franco-Flemish (Mons-modern day Belgium)
  • Musical Style: Late Renaissance. Sacred motets, masses, madrigals, chansons. Blended Italian, French, and German styles into expressive smooth polyphonic pieces
  • Life: Spent some time traveling thru France, England,  the Low Countries, and Germany. He eventually settled in Munich, where he landed the post of kapellmeister at the Bavarian court. He was well admired throughout his lifetime and worked with other prominent composer such as Andrea and Giovanni Gabrieli. He wrote over 2000 compositions throughout his career and is regarded as one of the leading musical figures of the late Renaissance. 
  • Famous Compositions:
    • Lagrime di San Pietro (Most popular piece on Spotify)
    • Tristis est anima mae (popular motet)
    • Si du malheur
    • Adoramus te, Christe
    • Matona mia cara (Italian madrigal)
    • Tant que vivray
5. Tomás Luis de Victoria 
  • Years: 1548-1611
  • Nationality: Spanish (Castilian)
  • Musical Style: Spanish High Renaissance. Sacred Polyphonic vocal music. 
  • Life: He began as a chorister in Avile where he was influenced by the music of Cristobal Morales. He later studied in Rome where he met and worked with the great Palestrina. During this time he became a priest, which led his emphasis on sacred music. He is considered one of the most famous Spanish composers of the Renaissance best known for his variation of O Magnum Mysterium. His music was often very intense and dramatic, ideal for the Offices of the Dead, funerals, prayer reflection, and during Holy Week. 
  • Famous Compositions:
    • O Magnum Mysterium: His version is the most popular. This is another of my favorite pieces of Renaissance music.
    • Officium Defunctorum
    • Jesu Dulcis Memoria
    • Ave Maria
    • O Vos Omnes
    • Tenebrae Responsories (Holy Week Hymns- most notably the Amicus Meus Osculi me Tradidit Signa)
   
4. Giovanni Pierluigi da Palestrina
  • Years: 1525-1594
  • Nationality: Italian
  • Musical Style: Late Renaissance. Roman School. Sacred Polyphony, masses, and motets.
  • Life: Spent most his life working in Rome. In 1551 he was appointed maestro di cappela at St. Peter's Basilica by Pope Juius III. He specialized in masses and motets and wrote over 250 throughout his respected career. His music is considered the ideal of the Renaissance and popular among musical theorists for his "Palestrina style"- use of counterpoint polyphony. His music sounds like a chorus of angels pulling you up into heaven. 
  • Famous Compositions:
    • Missa Papae Marcelli: Most popular piece on Spotify, quite angelic.
    • Sicut cervus: lyrical motet
    • O Bone Iesu 
    • Ave Maria
3. Josquin Des Prez
  • Years: 1450-1521
  • Nationality: France (Northern France/Belgium)
  • Musical Style: Franco-Flemish School. Invented a new form of imitative and expressive Polyphone. Mostly vocal works of masses, motets, and secular chansons.
  • Life: He began his life as a choir-boy at Saint-Quentin where he quickly gained an admiration and reputation for music. He rose the ranks to work in the musical courts of Milan and then to serve at the papal chapel in Rome. He later found musical work at the prestigious court of Ferrara. He achieved fame during his lifetime which was quite rare for a Renaissance musician. He is regarded as one of the greatest Renaissance composers, the Michelangelo of Music. 
  • Famous Compositions:
    • Ave Maria. Virgo Serena (One of his most famous and beautiful motets)
    • Misere mei, Deus
    • Missa Pange Lingua
    • Missa L'Homme Arme Super voces Musicales
    • Illibata Dei Virgo Nutrix
    • Inviolata integra et casta es Maria
    • Tu solus qui facis mirabilia
    • Mille Regretz
    • El Grillo
2. Guillaume de Machaut
  • Years: 1300-1377
  • Nationality: French
  • Musical Style: Medieval; Ars Nova movement. 
  • Life: Served as musical director at the Reims Cathedral which offered him stability to work on musical compositions. He was also close with the French nobility and royalty such as King John of Bohemia. He is regarded as a central figure of Medieval music, particularly the Ars nova style. Many of his pieces sound quite familiar as if I have heard them before in some medieval film. 
  • Famous Compositions:
    • Douce dame Jolie (most popular piece on Spotify. Very familiar tune)
    • Messe de Nostra Dame (earliest complete polyphonic works)
    • Rose liz, printempts, verdure
    • Ma fin est mon commencement
    • J'aim sans penser (another recognizable tune)
1. Thomas Tallis

  • Years: 1505-1585
  • Nationality: English
  • Musical Style: English Renaissance (Tudor school). 
  • Life: As a child he became a choir member of the Chapel Royal before becoming one of the Tudor's favorite musicians. He served as court composer for King Henry VIII, Edward VI, Mary I, and Elizabeth I. His elaborate choral arrangements are considered the definitive English Renaissance music. He influenced many other English musicians after him such as William Byrd. Many of his peices incorporate that lovely angelic and transcendent Renaissance sound.   
  • Famous Compositions:
    • Spem in alium (40 part motet)
    • If Ye Love Me (beautiful tune that is most popular on Spotify)
    • Lamentations of Jeremiah
    • Sancte Deus
    • O Nata Lux
    • O sacrum convivium
    • Hear the Voice and Prayer