By the mid 15th century, the Spanish Empire ruled the west while a new
rising power, known as the
Ottoman Empire, began to dominate the east.
In the year 1453, the Muslim Ottoman Empire conquered the city of
Constantinople, which marked the end for the Byzantine Empire. This resulted in
Christian migrations to the westward lands of Italy, most notably to a small
city in Tuscany, known as the city of flowers,
Florence.
The city of Florence,
would soon become the Christian epicenter of cultural inspiration, ranging from
the arts, politics, architecture, economics, science, and knowledge. This movement was especially
initiated by powerful families, most notably the
Medici. During this
time, some of the greatest artists to have ever existed, such as Leonardo da
Vinci, Michelangelo, and Botticelli, all lived in Florence.
By the mid 15th century, the cultural movement known as the Renaissance took
way in Florence, and began to spread it's inspiration throughout Europe. The
dark medieval ages, had finally come to an end, and humanity had once again
continued to progress. This rebirth of ideas, ushered in a new age of
Enlightenment that significantly challenged the Christian institution. The
Catholic Church would soon have to contend with various cultural movements,
ranging from the Scientific Revolution, an Industrial Revolution, and a total
Christian Reformation.
The Medici Family
By the late 14th century, wealthy families began taking power in the
city-states of Italy. The most powerful of these families was the Medici, who
at the time, owned the largest banks in Europe. Other wealthy families such as
the
Borgia (Pope Alexander VI and Ceaser Borgia) the
Pazzi, and
the
Sforza are no comparison to the long-lasting might of the Medici.
They influenced both the church and the political affairs of the
Republic of
Florence for over two centuries, and can be credited as the fathers of the
Renaissance.
The family rose to prominence in 1434, with
Cosimo de' Medici who
used his wealth to influence the politics of Florence. Cosimo's greatest
aspiration was to turn the city of Florence into a thriving capital of arts and
culture. He achieved this by making peace with the neighbors (Naples, Venice,
Milan, and the Holy Roman Empire), welcoming many notable Byzantine scholars
from the recently fallen Constantinople, strengthening ties with the church,
and especially encouraging the enrichment of art.
Cosimo de' Medici was considered the father and elder of the booming city,
and his passion was later passed on to his grandchild, Lorenzo. In 1469, after
the death of Cosimo,
Lorenzo the Magnificent took the lead role of
directing the city of Florence. His greatest contribution, was as patron of the
arts, sponsoring many famous artists such as Leonardo da Vinci, Sandro
Botticelli, and Michelangelo. Following his death, the Medici power diminished
for a while, and was replaced by the Dominican monk,
Savonarola, and
later by the political guidance of
Machiavelli.
The Medici family however once again rose to prominence over Italy, when
Lorzeno's son became crowned
Pope Leo X in 1513, and was later
followed by his cousin
Pope Clement VIII in 1523. In 1537, Cosimi I, was
recognized as Duke of Florence by the Holy Roman Emperor.
Cosimo I de'
Medici continued to uphold the family legacy and enrich the city of
Florence, with a newly organized government, architecture, and arts. He was
later promoted by the pope to become the first
Grand Duke of Tuscany.
The Medici family would obtain this post for the next 200 years.
The Borgia Family
By the end of Lorenzo's life, Florence had become a thriving capital of
culture and arts, and the Renaissance was underway. However by this time,
the Medici dominance was challenged by rival families such as the Pazzi and the
Borgia, as well as the Catholic Church. Several Christian leaders, most notably
a friar named Savonarola, began to feel that Florence had begun to stray away
from Christian principles. He condemned the corruption of Lorenzo and the
Medici family, and would later target the Borgia
Pope Alexander VI.
In 1492, after the death of Lorenzo,
Rodrigo Borgia became Pope
Alexander VI. With their Spanish ties, the Borgia family had risen to
prominence within the Catholic institution. The family was however extremely
corrupt, and used means of bribery and simony to reach the top. Savonarola was
the families' harshest opponent, and in 1494 took advantage of the French
invasion, to redirect the city of Florence. He was however excommunicated by
the corrupt Pope Alexander VI in 1497, and was later publicly executed. He was
replaced by Machiavelli's standing army and thriving democracy, which lasted
until 1512.
The Philosophy of Humanism
The age of the Renaissance was inspired by a new ideal that challenged
religious dogma and encouraged human practicality. This was in part due to the
new invention of the printing press, which made it easier for people to study
classical works. This new philosophy became known as
humanism,
and became a cultural movement during the Renaissance. Numerous Italian
scholars such as
Petrach, Leonardo da Vinci, and the political
statesman,
Niccolo Machiavelli, began to practice this concrete approach
to understanding.
The general idea of humanism was to consider the realistic physical
embodiment of existence, rather than it's divine metaphysical understanding.
Although humanists did not completely reject Christianity and the ideals of
faith, their ultimate ambition was to use reason and ethics as a means to
better understand human nature. This philosophy became the backbone of the
Renaissance, and was incorporated into the government, politics, education,
science, literature, and especially celebrated in the arts.
The Art of Human Beauty
The ideals of the Humanistic Renaissance are best captured in the arts that
celebrate human beauty. From it's architecture, paintings, sculptures,
literature, and so forth, there was a great influx of creativity during this
time. It is no wonder that some of the greatest artists and artworks came
during this period of history. The Renaissance was a period of sudden cultural
revolution. Much of this credit should fall upon the patrons of the arts, such
as the Medici family, who encouraged and financed these monumental
achievements, however one cannot deny that there was truly an inspirational
fervor in the air.
The city of Florence was undergoing a rebirth of ideas, a sudden
originality, perhaps even a freedom from theological restraints. And although
these artists set out to glorify the Christian belief, they ultimately
glorified the human body, in a revolutionary fashion. The art of the
Renaissance celebrated Christian history and theology through a new captivating
representation of human beauty.
As discussed before, it was not the church nor the government that initiated
this sudden patronage of the arts, yet the powerful wealthy family of the
Medici. The beginning of this art movement thus began in Florence, when the
Medici discovered young artists such as
Brunelleschi, who designed
Florence
Cathedral; and
Donatello best known for his bronze sculpture of
David.
Lorenzo the Magnificent initiated the golden age of the Renaissance when he
discovered the young painters
Sandro Botticelli and
Michelangelo.
The paintings of Botticelli accentuated human beauty by emphasizing their
masculine and feminine features. His masterworks such as
Primavera, The
Birth of Venus, and
Venus and Mars, are colorful works of
mesmerizing beauty. Botticelli was later, discouraged by the harsh criticism of
Savonarola, and eventually succumbed to the anti-humanistic pressure.
Michelangelo, however, did not give in to this pressure of modesty, and took
the ideal of human beauty to new heights. His first masterpiece was completed
in 1499, was known as the
Pieta, a marble sculpture that depicted the
crucified Jesus in the lap of his mother, Mary. This ideal of natural beauty
was later intensified in his masterful sculpture of
David. The sculpture
was commissioned in 1502 to stand outside the town hall of Florence. It depicts
David in a heroic yet calm stance, perhaps moments before he is about to face
Goliath. In 1508 Michelangelo was commissioned by the church,
Pope Julius II,
to paint a glorious fresco on the ceiling and walls of the
Sistine Chapel.
Although Michelangelo was not as skilled a painter as he was a sculptor, he
succeeded in creating the masterful illustrations of the
Book of Genesis and
the
Last Judgement.
Leonardo da Vinci,
was also a Florentine native during this time, and is considered the utmost
embodiment of the Renaissance ideals. He was a polymath, in expert of many
subjects, and made numerous contributions to the humanist philosophy. He was a
painter, sculptor, musician, architect, scientist, mathematician, engineer,
inventor, anatomist, geologist, cartographer, botanist, and a writer. His
greatest works were the
Mona Lisa and the
Last Supper, as well as
many other technological contributions.
During the High Renaissance, came numerous other masterworks and artists
such as
Raphael, best known for his painting the
School of Athens,
that celebrates philosophy. Other notable Italian artists of this time included
Bellini, Titian, and
Giorgione. The Italian artistic
quality however spread to other countries as well, and inspired their own
unique style. Such as depicted in the Dutch masterworks of
Hieronymous Bosch
(
The Garden of Earthly Delights) and the Flemish painter,
Pieter
Brugel the Elder and his numerous works.
The church considered many of these nude paintings to be overbearing, and
initiated a campaign of
Decorum, to bring modesty to these paintings by
covering up their genital with fig leaves. This campaign was agreed upon,
during the
Council of Trent in 1545, that began a
Counter-Reformation
against growing heretics, such as the Protestants, as well as the ideals,
science, and immodest art of the Renaissance.
The European Spread
By the late 15th century, the cultural movement of Florence, began to spread
throughout Europe. Similar to the spread of Christianity, these new ideals of
humanism were quickly understood and accepted within the general population.
European cultures began incorporating their own customs and heritage into this
common pursue of enlightenment.
In the ports of Portugal and the mighty Spanish Empire, an age of Discovery
took forth, into the unmarked territories of the Americas. This success was
greatly contributed to the navigational advancements and the technological
innovations of the Renaissance.
In parts of Northern
Europe, music began to develop, and change from the previous Medieval and
Gregorian formats. Thanks to the invention of the printing press, musicians
could add and share complexity to their music. This era of Renaissance music
was an important musical transition that would later evolve into Opera,
Baroque, and Classical Music.
In 1440, a German inventor, named
Johannes Gutenberg, invented the
printing press that would essentially play a key role in sparking this
renaissance. This invention made it easier for people to share knowledge with
one another, and perhaps question what they had been taught. It may have been
just the tool needed for the German monk,
Martin Luther, to openly
disagree with the teachings of the Catholic Church and thus initiate a
Protestant
Reformation. (More on this in the next post)
By the late 16th century, the Italian Renaissance in Florence had lost it's
steam, however eventually shifted it's cultural ideals to the new rising power
of England. This was a culmination of Protestant Beliefs, the defeat of the
Spanish Empire, and the crowning of
Queen Elizabeth. In 1558, Queen
Elizabeth ushered in a new golden age, of cultural, economic, and military
prominence, that became known as the
Elizabethan Age. At the core of
this cultural age, was a sudden appreciation and practice of theater, led by
great writers such as William Shakespeare, heavily influenced by the Italian
Renaissance.
The Scientific Revolution
The ideals of the Renaissance such as humanism, practicality, and the pursue
of knowledge, gave way to a new age of scientific discovery. This era began in
the mid 16th century, and could perhaps be considered the final blow to the
Catholic Church. New scientific ideas ranging from astronomy, physics, biology,
medicine, and chemistry, were presented to the public, that did not entirely
line up with the church's teachings. This of course infuriated the Catholic
institution, who began to accuse these groundbreaking scientists of heresy.
By 1533,
Nicolaus Copernicus, had introduced a theory of heliocentric
cosmology, that explained the earth was
not the center of the universe,
however the sun was. This idea went against the Christian principle, that the
earth was at the center of everything. Copernicus died before his theory could
be openly disputed and analyzed. Nearly a century later, however,
Galileo
Galilei renewed this discovery, with new scientific evidence. This led
to the church's response of a
Roman Inquisition, in 1615, to bring an
end to scientific heresies.
The Scientific Revolution continued however, into the 17th century, when
Johannes
Kepler presented his concept of planetary motion in 1610. The next monumental
discovery came in 1687, when the English physicist,
Isaac Newton
presented his theories of gravity and laws of motion. This scientific age of
discovery began to demonstrate a means of explaining everything.
By this point, the French philosopher,
Renee Descartes, coined the
term "
scientific method" as a means of acquiring knowledge
through scientific investigation. This new philosophy of Rationalism,
encouraged intellectual reasoning while denouncing the practice of faith.
The Renaissance marked a pivotal shift for human reason and the role of the
Catholic Church. It was an age of Enlightenment, where people began to purse
knowledge and self-awareness rather than forced dogma. It especially played a
crucial role in cleansing a corrupt and fear-mongering institution, that had
perhaps lost sight of it's flock. Following the Renaissance and the Protestant
Reformation, the Catholic Church significantly changed it's role in society, to
become more of a sanctuary of peace. And although the church has somewhat lost
it's muscle and influence of the past, the ideals of Christianity; spirituality
and eternal life, cannot be disproved by rational evidence.