This movie has been on my watch-list for over a year now, bringing
together some of the biggest names is Latin/Spanish Films. It is directed by
Alejandro Gonzalez Inarritu, (21 Grams and Babel) and produced by his two pals Guillermo del Toro
and Alfonso Cuaron. It stars Javier Bardem (No Country for Old Men, Vicky Christina Barcelona) as the driving force behind the
story, and is backed with an incredible score from the guitarist, Gustavo
Santaolalla (Brokeback Mountain, Motorcycle Diaries, Babel). With big names like this it should come as no surprise that this movie
went above and beyond. It is a powerful film, that I recommend watching more than once to truly appreciate.
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The filming style is quite similar to Babel; with an intricate storyline, cross-cultural settings and characters, poetic lines, and
massive mood swings. In the midst of this depressing story, Inarritu often delivers
sudden spikes of happiness, such as a birthday celebration or an abstract nightclub
party; quite similar to the flashy one in Babel. These mood swings are enhanced
all the further by Santaolalla’s musical style of sentimental minimalism.
Yet the finest sequence came at the end of the movie, where
we witness Uxibal’s slow transition from life to death. This same sequence was
played at the beginning of the film, yet has a far greater emotional power at the
end. Bardem lies on a bed next to his daughter, speaking of past memories, while he slowly fades away. Inarritu does a masterful job in demonstrating the
journey from life into death. This transition takes place through Uxibal's eyes as well as a sharp contrast in the color of his face. The viewer is slowly transported from Uxibal's bedroom to a
winter forest, representing heaven. In the forest, Uxibal stands with his father, laughing and
telling jokes. It is an extremely artistic sequence, a masterful ending that is quite deserving of its title, “Biutiful”.
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